Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Interview: Ammar Al Attar


Sibeel Water & Prayer series       2013

Ammar Al Attar photographs the UAE and makes it his goal to capture the real essence of UAE's culture. I first found his Prayer Room series which I really admired. Al Attar has an eye for composition, featuring stunning geometric shapes in his photographs. He strays away from the shiny rich cities, which everyone is familiar with, and portrays an older, simple, real version of the UAE. In this particular series Sibeel Water & Prayer, Al Attar has drawn attention to the charitable and kind nature of the Islamic religion. Water fountains are present throughout the city, usually hidden, although always available with cold clean water. 

How do you feel about the UAE's growing art industry today?
The UAE art market is still very young and they are working hard in doing programs and events however, I see lack of care to the artists and giving them the time to work on their art, it is good to do education programs and fellowships however if the artists don't have time to spend in making art then no use and these programs will be just for the sake of telling we did this and initiated this!


Do you feel any pressure from being an Emirati artist?
Sometimes I wish I was not Emirati as an artist, because most of organizations and government entities wants you to make free work for them under the umbrella of being a national. However, we spend time and lots of money to produce art so we need something back for our effort that we spend, like any other job they make and they get paid. On another hand, if an artist or photographer is from a different country, they get what they want! Although as an Emirati, we need to show different parts of our country and the spirit of it to the people, also the rituals that is happening without forgetting the contemporary life that we are living.




Do you have any thoughts on the negative effects of UAE's rapid growth?
Well unfortunately the rapid growth made us forget the past and current life sometimes :)


Do you think that the UAE still has its original culture or do you think its being lost?

Some parts yes, but most of the parts it lost it's spirit, honestly, specially when the cultural and historical places go away and replaced with modern business places with very limited place for art and culture then I believe the place will lose its spirituality.



I noticed that you took Business courses in university, does this effect your art life? 
It helps a lot in managing my art from a business side, especially these days where I have to market my art and take care of the business side with the representation of a gallery who sell my work. Unfortunately most artists lack the business part which is essential, especially in this part of the world.


Do you have to search far to find the perfect shot?
Yes sure, sometimes I spend months or sometimes a year in finishing a project. I do lots of research and ask a lot of questions before I have final body of work.


What camera do you shoot with?
I usually use analogue cameras, but unfortunately the analogue films in term of processing and printing is really hard to do hear in UAE specially with labs closing this part of business because they dont do much profit out of it. Thus I need to send all my films outside UAE and that cost allot monthly especially with shipment costs. But on the positive side that makes me more slow when taking photos and think more about my subject.



Who are your favourite artists that you receive inspiration from?
Locally I like the work of the pioneer photographer Jassim Al Awadi. From the fine art side I like Mohammed Kazim, and Nasir Nasrallah, in the region I like the work of Saudi artists such as Abdulnasir Gharim, Manal Al Dowayan and Ahmed Mater, internationally I'm really inspired by the two photographers Stephen Shore and William Eaggelston.







Nanna Hänninen



Nanna Hänninen (born 1973) had her first solo exhibition in 2012 at Galleria AMA in Helinski which included her series 'Plants/Objects//Paint'. Her works have her own distinct style of smearing or dolloping paint onto a single image, giving a completely different dimension to the photograph. The decision to use black and white photography gives her no limits as to what colors she implement. Hänninen accentuates an element in the photograph on which she wants to emphasise. What is great about her works is that she knows when to stop, she keeps it perfectly simple and lets that contrast with the destruction of the photograph on which she paints on. 

See more of these beautiful works below!










Andrew Lyman



Alone Together is a series constructed by American artist, Andrew Lyman. In each photograph there is a feature of two similar if not same things. The title itself are contrasted to each other.  The number two is connected to many meanings and symbols. 'Duality' is an ongoing theme in the history of photography, and if used correctly the image is very effective. The first image coming to mind is 
  'Twins'image from Diane Arbus. The figures in each image might be similar, although they are not identical. There is an interaction between each object or figure. Each has their own characteristics, however tied in with clever composition each photograph stands out. Lyman also uses analogue which brings a sense of nostalgia in the natural tones it captures. Some photos have odd set ups such as the two hands being dipped in milk (below) although I think this brings a quirky quality to the series. 

  






Eli Craven



American artist Eli Craven cleverly folds these classic hollywood portraits in his series 'Screen Lovers' and mends two subjects into one. Craven uses found images from old vintage books and brings the characters together by literally folding the image and creating something new. The way that the Craven chooses to fold over the faces of the figures leaves a dimension of ambiguousness. You can't help but to think whats going on behind the fold. I also enjoy the newly formed shape that occurs naturally when folding and escapes the traditional rectangle photograph. 

More beautiful folded photographs after the jump!













Isabelle Wenzel



Isabelle Wenzell is a German photographer who photographs the female figure in contorted poses, mainly focusing on the legs and usually leaving out the head. Wenzell uses a pallette that catches the eye. I enjoy the pastel colors with contrasting shadows as this gives a strong look and a nostalgic feel. 
There is definitely a comment on woman and the way they are perceived. In her series Building Images (2010) it is obvious by the secretary setting, clothing and props that Wenzell is focusing on the role of women in the work place. Is a woman really all just legs and ass? Combined with Wenzell's acrobatic history, these photographs are intruiging and clever in the way that movement is inplemented in these stills.The idea that the women's backs are being used as tables heightens the notion that women are in the same class as props or furniture. Nonetheless, just a feature. In another series, Wenzell sets the female lower body on a pedastol however with no upperhalf, thus making the women unidentifiable and being put on show. The combination of contortion and office setting is absurd although genious as they both are on completely different spectrums. She's definitely a photographer to keep an eye on. 

More works after the jump!












Rik Garrett

Tests for Symbosis series               2011              analogue print and oil pastel    
Rik Garrett is an American artist who's focus is to explore the "ideas of love, relationships, magic, Alchemy and mutually beneficial partnerships in nature."

Symbosis is a series from 2011 that has been getting a lot of attention. His works are interesting and really showcases the concept of a sexual relationships. He manipulates the images with skin-toned acrylic paint (painted directly on the print), binding the two figures to look as though they have become one person. Although what I really love is Garrett's rough and textured brush strokes giving a more raw aesthetic look to the works. He overlaps paint over their faces and binds them together only allowing very little space in-between them. The figures are unidentifiable and hiding within each other only revealing some limbs. 

Garret has other series as well, exploring the themes of Alchemy and magic. They are available to look at on his website! Be sure to check him out on his Facebook, tumblr and personal blog

More lovely photographs after the jump!